The scene below takes place in the opening chapter of the book. Annie Brown has inherited her late mother's old Victorian home and is supervising the movers hauling items inside. The house is a bit run-down, as her mother had let maintenance slip in her later years. The workers seem a bit spooked by the old place, and Annie isn't exactly thrilled by the geriatric state of her new neighbors.
As if those things aren't enough, as she and her best friend Jason oversee the move-in, she gets a visit from someone she last saw in civil court, during a legal battle over the fate of the historic house.
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The
sound of heels clacking on the sidewalk made them both turn as a tall,
white-haired woman in a calf-length navy skirt, cream blouse, and black
high-heels strode down the sidewalk. One of the movers started to cat call her,
but a single down-the-nose glare from the frozen blue of her eyes stopped him
cold, his mouth half-open. If he'd had a tail, it would have tucked between his
legs.
Annie
groaned and fought the urge to walk away. She'd dreaded this part of the day
the most.
The
woman came to a halt two or three yards short of their position, still exposed
to the brutal sun, seeming not to notice its heat. Annie wondered if the woman's
cold demeanor kept her cool even on a hot summer day like this.
"Ms.
Brown," the woman said, contempt dripping from her words like blood from
fangs, "I see you're moving in, right on schedule."
"Nice
to see you too, Mrs. Mudge." Annie put on her sweetest tone, disguising
the contempt she felt for the woman. "Yes, move-in is going as planned. Thanks
for your concern."
Mudge
didn't seem to notice Annie's sarcasm, or didn't understand it. "Be sure
the moving truck is off the street by eight o'clock tonight, whether move-in is
done or not. If you don't finish on time, have your ... employees come back in
the morning. If Immigration hasn't scooped them up."
At
the word "immigration," the foreman looked up, then turned back to
his crew and spoke in Spanish.
"Don't
worry," Jason told her, "they'll be done long before then. Will you
be coming to the housewarming rave tomorrow? We have the most chiseled male
dancers coming to perform on the front porch, followed by our own personal gay
pride parade right down this very street."
His
smile oozed sarcasm and Annie fought back a snicker.
"He's
just kidding, Mrs. Mudge," she said. "I'm not having any parties.
They're not my style."
Mudge
wrinkled her nose and looked at Jason over the frame of her bifocals. Annie
couldn't tell if she resented his blackness or his gayness. Probably both.
Either way, Mudge didn't grant him the pleasure of a response, turning instead
back to Annie. Reaching in her ultra-conservative handbag, she produced a thick
packet of papers wrapped in a tasteful red jacket.
"Here
are the Historical Society covenants," she said. "They're only
eighty-nine pages long, so you should have no trouble reading them in a week.
Maybe ten days. If you have any questions, anyone from the Society can help
you. Just email the address on the cover."
Taking
the packet, Annie rolled her eyes. "I'm sure I read much more complicated
texts during my graduate studies. What's your degree in again, Mrs. Mudge?"
If
the remark fazed her, Mudge didn't let it show. She adjusted her spectacles and
looked down her nose again.
"Your
late mother—God rest her soul—agreed to these covenants, but over the last two
years failed to maintain their minimum standards, as you can see." Again
she wrinkled her nose, as if offended.
"Yes,
I'm aware of the lien your society so kindly placed on my mother's home right
before her death. I like to think of it as helping her to her grave."
Mudge
flinched, as if Annie had slapped her.
"We
only did what our attorneys advised us," she said, pulling her glasses off
and using a handkerchief to dab at the tiniest droplet of perspiration on her
forehead. "In the best interests of the neighborhood."
Annie
drew herself up. "I suppose it was in the best interest of the
neighborhood to team up with my brother and sue for the house? To leave the
house empty for over a year while we battled in court?"
"Your
brother's interest—"
"My
brother was only interested in money! He wanted to profit from the house, while
you just wanted to control it."
"As
I recall," Mrs. Mudge said, "you testified that you didn't really
want the house. It holds bad memories for you. Remember?"
Annie
winced, but she also recalled their early, happier days in the house, before
her mother turned to vodka for companionship. Memories of pipe smoke and
aftershave, crackling hardwood fires and laughter.
"I
also testified that it held the only memories I have of my father. And this is
all irrelevant anyway. The judge found the will legally binding and awarded the
house to me. You lost."
Mrs.
Mudge squared her shoulders, straightened her backbone, and sniffed.
"As
you know, under the agreement reached in court, you have ninety days to get the
house back in acceptable order on the exterior before we take further action."
"Don't
worry, Mrs. Mudge," Annie assured her, "I'll make sure it gets done."
The
Historical Society matriarch turned on her heel and strode off the way she
came.
"Remember
quiet hours, Ms. Brown," she tossed back over her shoulder. "This isn't
the downtown bar scene."
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Mrs. Mudge ends up pestering Annie throughout the book, a constant source of irritation, stress, and conflict for Annie. The story takes place during the 90 day period Mudge mentions, and wraps up just as that period ends.
Hope you'll pick up a copy on Tuesday, when it hits Amazon!
----------------
Mrs. Mudge ends up pestering Annie throughout the book, a constant source of irritation, stress, and conflict for Annie. The story takes place during the 90 day period Mudge mentions, and wraps up just as that period ends.
Hope you'll pick up a copy on Tuesday, when it hits Amazon!
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